Friday, 20 November 2009

New York, New York, so good they named it twice

A brief introduction to our trip to the big apple before I start on the galleries!

I hardly even had time to get excited for going - my review was the very last one on Tuesday morning followed by the housekeeping lecture. Only got home at 5 to start madly packing for the 4.00 start.

The flight over was pretty smooth (curry for breakfast and lettuce sandwiches didn't go down very well, but there was no turbulance). The last time I went on a long haul flight was when I was 15 so either I've grown or planes have got smaller. I'm glad I'm not a boy there was barely enough room for me!

When we arrived I realised we were staying in the same hostel that I stayed in last time I went. Not the greatest (bunk beds on wheels is never genius) but the location was perfect, right next to central park and ten minutes walk from Times Square.

It didn't feel much like a holiday I have to admit - we got up early everyday and literally didn't stop our feet hated us, but it was worth it. I only did two things the same this time as I did on my last trip and I still didn't do everything I wanted to do! The city was just as magical and impressive the second time round.

The highlight of the trip for me was central park in all its autumn glory. We went there three times and it was just so beautiful. The oranges and browns were so vibrant, when your tucked away beneath the trees you can hardly even imagine that New York city is just meters away from you. The other highlight was walking over Brooklyn bridge at night back to the city (which we almost didn't do and I'm so glad we did). The view was great and the lights make it like a completely different world.

Apart from that we did so much - 5th avenue, Times Square, Macy's, Tiffany's, Rockerfeller centre, Brooklyn vintage shops, Ground Zero, Broadway (Mamma Mia), Chealsea, Chinatown, Staten Island, Statue of Liberty, Empire State, Central station, New York Library, Sushi, deli's, pizza and prezels, cheesecake, the subway and loads of art galleries!

We couldn't have asked for better weather - the first few days were freezing but the sun was bright and the sky was blue with white fluffy clouds. Didn't get a drop of rain the whole time we were there, and on the Sunday and Monday it was so hot we had just t-shirts on!

It was a horrible step back into reality when we got of the plane to drizzle and rush hour traffic on Tuesday morning, but it was worth it.










Review

All in all I think the review went very well for me. I did work hard in the run up to it to get as much as possible done and I think it paid off. My estimated grade was high 50's, just bordering on a 60 which is what I was hoping for although I was too scared to admit it. Considering I got 62 last term and I was really disapointed, I'm feeling much more confident now. I know I've got more to do and places to go before January and I am capable of pushing my marks up if I keep developing my work!

Firstly Kino 4 posters. I did a lot of experimentation over summer for these projects and really enjoyed trying things out. I think the tutors liked my designs and the fact that I'd tried so many things too, but I felt the comments helped me to make a final decision on what design, and mainly what stock, my final posters will go into my portfolio as for the January assesment. It should only take me an afternoon to print them off and have three final pieces.

Secondly, Silence. Well. Since we began I have done a lot of work for the silence project and felt i'd produced some nice ideas. I knew I was very much just finishing off part one still when we went into the reviews, but this wasn't concerning me because I felt I had a strong concept and lots of work. The review really helped me because I had come to a bit of a stand still in knowing the right way to take my project in to part two and a a finished piece. Both Liz and Mac said my work was crying out to be taken into moving image and to try my hand at making a film sequence from the visuals and ideas I already had. At first I was a little dubious about this - I'm not a moving image person, I don't have the technical skills and have never done it before. i felt like without a lot of technical help that I wouldn't really be able to achieve this. I was scared that I wouldn't be able to produce something good enough to make it worth while doing a moving image and that would let my work down.

However, I have thought a lot about it while I was in New York, and decided that it is the right way to go. I can't find another way to push my work forward, it doesn't really fit into the folding document catorgory. I also should make the use of facilities and technicians while I have the opportunity at uni. For me this project has been a nice experiment and to experiment with moving image will really challenge my creative skills. I'm hoping I can blag the technical skills by collaborating with people who know what to do and maximising the technicians.

Wish me luck!

Thursday, 19 November 2009

Alcohol Awareness Campaign


Aah another brief. Yipee! After looking through all the briefs I have chosen the alcohol awareness brief. Probably the one people expected me to choose, possibly more difficult than I originally thought but definately the one that most relates to my work and essay and what i'm thinking about for my personal project. None of the others appealed to me at all so it was quite an easy decision, and felt like I've done a lot of experimentation on the silence brief so its time to do something completely different and hopefully work to my strengths.

Instead of filling by sketchbook with other people's work, I'm putting all my initial research on here. So here goes...



You would't start a night like this, so why end it like this?
I actually think this is quite a good campaign. It highlights the stupidity and disgusting things people do when they're drunk, instead of just being shocking, it's kind of grose and cringe worthy. What I like about this ad is that it doesn't tell you not to drink, or go out, it just says you don't need to act like a tosser when you do. Through sober eyes drunk behaviour is usually ridiculous so it's a nice way to think about what you do to yourself rather than focusing on trouble causing and anti-social behaviour.

The link above to an anti binge drinking viral I found on YouTube where the models on a catwalk start to behave like drunk people. Again for the same reasons as 'You wouldn't start a night like this..' I think this advert openly highlights the way people behave when they get drunk. The models look perfect, all dressed up and ready to go out - but when the girl pulls her skirt up and wees on the stage, then throws up its such a stark contrast. When you're drunk you might find it funny but in the day light it really isn't. I think this is quite an effective message - younger people who are trying to look older, dress up, they would do a much better job if they behaved dignified.

''One of our zillions upon gazillions of Facebook buddies snapped a picture of himself beside this ad for After Too Many, that anti-irresponsible-drinking campaign by Grey, SF. Who'd have guessed it would make such a positive impact on (completely inebriated) college students?

The text reads, "My BEER told me to PUKE on my girlfriend." Monsieur Le Smirk at right seems close to doing just that. Yeah, it's all fun and games until it actually happens, right?''


This is the comment that I found on a website next to this pic. Its an American campaign for anti-drinking that has turned up on college students facebook page. I can't find another copy of the ad anywhere else. Rather ironic I think, and it highlights perfectly just how difficult it is to change people's attitude towards drinking behaviour. This advert isn't being taken seriously by the people who it is aimed at - how is it going to make any sort of impact on society.

This poster is subtle and nicely art directed, much more sophisticated than many of the others. It's probably one of my favourite that I've found, but i'm still not sure if it would make an impact on binge drinking. Somehow, this seems funny like the reaction it would actually provoke is to make you laugh with your friends about all the times you 'had your beer goggles on'.


This campaign by Saatchi and Saatchi above (about drink driving) is also nicely done. I still don't know though ... I just think that it's not strong enough to really drive home any message, never mind change behaviour. Those who do drink drive are a minority who obvious lack an ability to weigh up consequence in the first place. I might be cynical, but I don't think this would make them think.

Of everything I've found, I actually think that this is one of the cleverest posters and the most likely to have an impact on children drinking. The problem is it is cool to drink - when your young its cool because your parents do it, because your friends do it and most of all because it's illegal. It's also cool to end up in A&E, to make a fool of yourself or do something stupid. Everyone talks about it the next day, maybe for years if you get really really drunk. So saying that you might end up in A&E is not really a deterant if anything for a lot of people, its the goal.

The rabbit poster plays with quite a young visual style that is usually on 'joke' posters with clever quips about alcohol, drinking and sex that a lot of young people see as 'cool'. Changing the joke around to make drinking a negative action is clever. It doesn't sound like it's coming from an adult, or the government, it doesn't sound like a patronising message telling you what to do - it sounds like it's coming from 'society', a cooler, older person who you look up to and want to be like.

I don't like this at all, it's just got no substance, the general message is weak - if it's aimed at young people then the visual style is way of the mark, if it's aimed at older people then it's missing the boat conceptually. Bad bad all round.

The image here is quite striking, maybe it would have had an impact when it was first released. It probably will haunt some teens - but they don't like to be preached to, they don't think something like this will ever happen to them, and if it did they would have a story to tell. I think the shock campaign is wearing thin now, we have seen it all before, and because of the internet, I would bet that there is very little that would shock today's youth generation.

Again- I just don't think spending the night in A&E is a very good deterant for young people. Mostly, they think it's funny and cool.

This is a very serious problem, especially for women, getting into illegal taxi's. Most people don't think it will ever happen to them, they think they'll be safe. This poster just lacks a bit of shock or consequence - it doesn't really say anything.


The Know your Limits campaign below was actually done by the agency LIDA that I did my work experience at over summer. It has definitely had a lot of coverage, I think it's one of the most recognised of recent times. I think that this campaign was more about raising awareness to people about the healthy levels of alcohol we should be drinking - which it does quite well. Unfortunately, the government is obviously targeting the completely wrong age group and social group here - people who drink a bit more than the healthy levels say after work, socially and at home to relax without really realising the risks are not the same people who binge drink and throw up/end up arrested/in A&E of a friday night. Although this is a worth while campaign and probably has been effective in raising awareness, it's not targeting the right problems to have any sort of lasting effect on the binge drinking culture in Britain.











After analysing all these campaigns it's clear to me that there really aren't many that are done well enough to make an impact. Maybe they're made by people who have forgotten what it's like to be young and why you drink. Maybe they're targeting the wrong people. I honestly don't think that advertising alone is the answer to binge drinking. It's a lifestyle that will not be easily shifted by a poster. Just like smoking, people know the dangers, kids know they might end up in hospital or making a fool of themselves, they do it anyway because it is an accepted way to have fun. They learn from their parents which is a big problem, but also from their friends and society around them. Not being allowed to drink makes it even more exciting, and telling them not to do it will make them want to do it even more. To make any impact on alcohol abuse the whole attitude of society needs to change and this needs to be through education from the beginning, talking about it more and making it less 'naughty'. I reckon most of these anti - binge drinking campaigns fuel drinking because it becomes even more rebellious, even cooler. Campaigns should be about drinking sensibly, having fun without drinking, seeing drinking as something that can be done but safely and in moderation, Not screaming shock, patronising and negative messages at us that we will just switch off too. Humans have always drunk and got drunk and they will continue to, but what's changed is the levels and behaviour that is now acceptable. This is what I think needs to be addressed.

Easier said than done I fear!



Friday, 30 October 2009

Sheila de Bretteville

A Feminist/writer/designer/teacher? I want that job. Mack posted this name on the blog and when I looked her up the interview was really inspiring. I don't deliberately try to find women designers, but for me it is even more inspiring when it's a strong woman! This woman really has accomplished it all - professor of design at Yale! That's pretty impressive. Reading what she says makes a lot of sense - sometimes it feels difficult to find your own style and briefs when your at uni because we do get set with the same stuff everyone other graduate does. It's a great time to be influenced by people around you and learn as much as you can from what already exists, but when I leave and have to produce my own work I really do want to create stuff that says something and has a purpose and message. I'm not sure the perfect job for me is just to be a straight forward designer - I enjoy the people/client/presentation/concept/ideas/research side of everything far more than the execution and deliverance, but what I do know is that I want to work on stuff that matters.





'I work to help our students acquire a solid basis from which they can each shape their own professional body of work, perspectives and life, rather than replicating mine, or those of their faculty and critics. I agree with Rob Storr that ‘it’s time for the post post-modern generations to make up vocabularies and metaphors of their own.’

''All environments and experiences affect us, so our work is to make the patterns of power clear and keep communication open. If we do the hard work of asking and listening, not hiding what we think but rather being as clear, transparent and conversational about what we are doing and why, we have opportunities to change a pattern that is hierarchical;''

Thursday, 29 October 2009

Let the right one in



I hate scary films - hate blood and gore and everything that's jumpy and i'm afraid of the dark. I have such a vivid imagination I can never sleep or stop dreaming/imagining things afterwards ever since I was little, so I generally avoid anything like this on screen. I'm not at all squeamish in real life but for some reason I can't stand it on screen.

Tucked in jumpers, Fake snow and blood aside however... this was a great film and I actually quite enjoyed it. I have come to expect a high standard of films on Kino4 night now so this was no surprise.

It was about half way through when I started to wonder if the girl was real or not. I think I kind of concluded in my mind that she wasn't - that it was the boy doing all those things and she was in his imagination to help him to get through the bullying. There was a few points through the film that made me think that - the conversation about her killing because she has to and him killing because he wanted to. Then at the end when she rescued him from the pool, the closing scene when he was on the train doing Morse code to her - that was strange?

I don't know if i'm right or not... There were obviously lots of things that suggested the girl was real - the guys in the cafe said the man who moved in had a child, and the woman who was bitten... I don't know... but in my mind that's what I was imagining. This film reminded me quite a lot of Pan's labyrinth.

It was a great film though, a good one for halloween. Quite a touching love story really! I think the bleak Swedish council estate was the perfect backdrop to the film. The children were so pale, like they were as pure as the snow. One thing I couldn't get over was how good the children were at acting. The story centralised around them and they're acting was flawless, so emotional and just so far beyond what most established adults could do. The intertwining story lines addressed - Oscars father and mother, the bullies and Eli's 'carer' made this a much more complex film, raising so many questions and emotions.


Self promotion

Self promotion has been on my mind for a while but I haven't really done anything about it yet... I didn't really know where to begin or what I wanted to promote. Myself obviously, but I wasn't really sure what I wanted to say about myself.

I found this book at the Whitworth gallery book sale called Marketing your creativity - new approaches for a changing industry by Matt Perry and Ant Melder for £3. Admittedly its a little outdated, it was written when digital was still relatively new and not the norm, but it's an easy read with lots of advice from people in Industry (Mother, Cake etc.) and what it does is kind of simplify the importance, avenues and approaches to self promotion and 'The brand of you'.

Then we had a talk from Graham on Tuesday which was very helpful. I liked how he explained the ideas behind the self promotion and how he uses it. The Via stuff that took inspiration from the buildings, colours and textures around them was really lovely example of how to make self promotion. Attention to detail is also very important - to go the extra mile. Self promotion be a consistent brand the same as any other which represents your personality and style.

I put off doing anything before because I didn't think it was necessary yet and didn't know where to begin - now I'm starting to piece together ideas about what I can use and what I want to say. This summer I have become much more sure about what it is I want to do, and researching the kind of places I might want to work, so feel that i'm ready to start designing 'the brand of me'. I am now brimming with ideas!

off on a tangent

After my wacky week tutorial with Mack and a quick chat with John Walsh I'm moving my project on finally. I made a great start with it, but the last week has been a bit stagnant and I was struggling to move it on. I realised that I 've been so close to it I started to find it difficult to see new potentials in my work. At first when Mack told me to try scanning some stuff in and experiment with it just to see what happens I wasn't sure that would take me where I wanted to go, but then when John said a similar thing but in a different way, I realised they were both right. So I'm not going to play with the photocopier just yet =) but I have realised I need to let my concept go a bit and push it in any direction that comes. Then I can explore just how far my ideas can really go! I admit that I am no photographer - I like photos but I'm not great at taking them and although I want to do some experimenting and let go I don't want to do things i'm not good at just for the sake of it...

So a break from Silence to finish of my Kino posters (more on them later) for the review has given me a welcome break and I feel refreshed for a weekend of tangents!!

Some cool stuff


poster by McCann Erickson - Manchester

This website - a collective of graduates who give good advice, post competitions and job opportunities and also cool stuff. Well worth a look!
http://www.shellsuitzombie.co.uk/

And on that website I found this amazing animation by creative team Blu and David Ellis...

Sunday, 25 October 2009

Droga 5

Droga5 is an agency which I came across in Campaign over summer. The company was set up by Dave Droga, an Australian, and they currently have an office in Sydney and New York. They work a lot with charities and on political and government campaigns. And they don't specialise in any particular media or visual style.

This is a link to work they did for the Obama Campaign in America which is everything that you wouldn't expect it to be. It's quite controversial and I have to admitt when I first watched it I was surprized something like this had been created for politics. I guess I always thought of America as being behind the UK when it comes to forward thinking, especially in Politics, but I actually think they are way ahead of us in terms of innovation in their voting campaigns. This campaign is based on great problem solving and it feels so much more honest (even if it's still a political ploy deep down) than anything I have ever seen in Britain. I have been getting really interested in political work lately, and am thinking or changing the slant of my essay to research further into this area.



Droga5 is an agency which I came across in Campaign over summer. The company was set up by Dave Droga, an Australian, and they currently have an office in Sydney and New York. They work a lot with charities and on political and government campaigns. And they don't specialise in any particular media or visual style.

Below are some posters done for Unicef 'Tap' water campaign that went across print, viral, web and much more.




''My objective isn’t to build the biggest agency in the world or the most creative agency in the world—I want to build the most influential agency in the world.When I first launched the agency three years ago, I made a statement that I think people thought was just a throwaway thing, but I really meant it. I want us to get involved with things that matter.''
Dave Droga

http://magazine.wsj.com/hunter/rebel-yell/pitch-perfect/

To end up working at an agency with similar values to this one would be an amazing accomplishment for me!

studio 8

Why Haven't seen this work before?? Ooh it's so lovely.





''Studio8 Design is an award-winning independent graphic design studio with a reputation for delivering intelligent and engaging creative solutions. Based in central London, Studio8 was established in 2005 by Matt Willey and Zoƫ Bather. Working with clients both large and small, in the UK and overseas, Studio8 produces a diverse range of work across multiple disciplines. The studio's team bring a wealth of knowledge and enthusiasm to every new project and offer a scope of capabilities that includes editorial, exhibition, signage, corporate literature, websites, and brand identities.''

The name rang a bell when I looked this up but for some reason I hadn't looked into this agency before. Looking at their work I find that it's all great stuff and I enjoy it, but they have a very specific style which doesn't really deviate. Its nice type, nice imagery and beautifully put together. I'm not sure if this is a bad thing or not- the work certainly hits the spot, it seems quite conceptual and I like it that they work for charities and meaningful subjects as well as more commercial stuff, but I guess i'd like a little bit more variety!

Nicholas Felton

''Nicholas Felton spends much of his time thinking about data, charts and our daily routines. He is the author of several personal annual reports that collate countless measurements into a rich collection of graphs and maps reflecting the year’s activities. He is the co-founder of Daytum.com, a site for counting and communicating daily data, and regular designer of information graphics for numerous publications. His work has been profiled in publications including the Wall Street Journal, Wired and Creative Review.''




Another find from the Data Flow book - Nicholas Felton. This work gave me a whole new look on the Journal and essay sections and refreshed my thinking of how I can approach them. Looking more into his work and his website it seems that his work is mainly consists of visualising data and information graphics. Although I don't see myself going into information graphics in the future, I like the style of much of it, though I'm mainly interested in how I can use this style to convey deeper concepts and ideas for different purposes. What I do love about information graphics is generally the clean, meticulous functional aesthetic. I like the purpose behind it.

Felton's work has got me cooking up some interesting ideas about my trip to New York and Journal!

Marian Bantjes

I came across this woman's work in the Dataflow book, it was an inspiration map which caught my eye and I decided to look further into her work.

Bantjes is a Canadian artist who has worked with typography, graphic design, book design, worked for her own design company. She has worked with Stephan Seigmeister, Pentagram, Print Magazine, wired, The New York Times, Wallpaper, The Guardian and Young and Rubicam.

The more I explored her website the more this woman was amazing me. She not only designs, but writes articles and essays, teaches, gives talks and speeches. This sounds exactly like the kind of job I want!! I want it all.

In the 'about me' section, there's an extract of her CV and it is just incredible. It's hard to imagine that one person can have accomplished so much and such a wide range of things.

Rather than the typical 'about me' section, it is made up of lots of different bits and pieces - including a piece she writes about herself. I could relate to what she was writing so much, it was so refreshing and genuine. I think I may have found a new design heroine!





Below is a link to an article that she wrote for the AIGA essay series. Its about her life and regrets and coming to terms with what she's done and how she's chosen to spend her time. I think this pretty much sums up how I feel all the time, wondering if I should have done things differently, and whether or not i'm making the right decisions. She talks about how she wishes she went to university to get a solid foundation knowledge of art and design but that she probably wouldn't be where she is today if she hadn't gone travelling instead.
http://www.aiga.org/content.cfm/singing-the-blues

This is definitely one woman who's job I want, so to take the advice from Clinton I'm going to see if I can find out how she got to where she is today. I think that concentrating on people and agencies that I aspire and relate to and finding out more about how they have got where they are and who works for them will really help me to direct my work and decide where I am going.